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A collection about the sounds of Black Love 
By The Renegade Editorial Team

On this day of love, the Editorial Team takes a moment to talk about their favorite Black love songs. From Stevie Wonder to Kendrick Lamar, from romance to self-love,  we have a special spot for songs about the most wonderful feeling in the world. 
Listen to the playlist here!

“Free Yourself” - Fantasia
By Janese Fayson

“If you don’t want me then don't talk to me!” No, Fantasia wasn’t the first woman to coin this phrase or even the first to feel this type of scorn, but she’s definitely the one who made it into a bop! 90s R&B has captivated millions, as it has sunken its neo-soul nails into anyone who gives it a listen.  Lyrics about “scrubs” or “brown sugar” have kept R&B alive to this day. Fast forward to 2023 and R&B has taken an almost completely separate style and flow. Although inspiration can be found in many of the new works put out by Sza, Summer, Brent, you name it; we have definitely seen a shift. This is not to say that one version of this music is better than the other, just that one thrives on being the optime of classics, while the other is still being constructed for this new day and age. With Valentine's day approaching, it’s safe to assume not everyone has a boo-thang to hit the town with, or alternately hit the bed with… and that’s OK! In essence, this is why the song is so important. Self-love baby, it’s the greatest. The purest form of love. No need to put up with mixed signals and minimal effort, especially not on the day designated to love. So, come Valentine's day if your situationship still hasn’t hit your line or made plans, go ahead and put on some soul full R&B and bring this love-filled holiday in with yourself, or your girls; and alas, remember what Fantasia said. 



Can You Stand the Rain - New Edition

By Jacquelyn Trotman


When I think of Black love, I immediately think of “Can You Stand the Rain”. My sister and I grew up listening to old-school R&B, and with New Edition being one of my parents’ favorite groups, this song was on at home all the time. The powerful vocals of each member blend together for a beautiful, unmatched harmony. However, it’s the message behind those vocals that make the song so iconic, and a perfect depiction of Black love. “Can you stand the rain?” is a question of whether or not another person’s love comes with conditions. Sticking around during the good times is easy—anyone can do that. It’s those tough moments of adversity, vulnerability, and self-questioning when we really need someone by our side. Black love means weathering the storm. It means loving wholeheartedly and without conditions. Over the years, this song has given me a standard by which I can evaluate the relationships in my life, whether they be romantic, platonic, or familial. While it’s great to be with someone when everything’s going well, at the end of the day, I want someone who can stand by me in the rain. Beyond giving me a sense of nostalgia for a time I never lived in, “Can You Stand the Rain” is a reminder of the unconditional love that I deserve and have to give. 



Purple Hearts – Kendrick Lamar
By Vanessa Walker

Mr. Morale and the Big Steppers at large feels like listening in on a therapy session, tackling healing on a cultural and deeply personal level. What I admire about Purple Hearts in particular is the way it closes the first half of the album with a hopeful outlook on self-growth and love. The song carries a balanced vibe with chill, yet uplifting instrumentals that help us slow down and allow these piercingly meditative lyrics to sink in. It comes in loaded with spiritual acknowledgments, crediting God as the source of love and us as distributors of this divine gift. 
It builds verse by verse, from Kendrick stepping up to be a better partner despite the toxic culture around him, to Summer Walker acknowledging her worth and the need for a quality of love that matches that, then closing with Ghostface Killah’s prophetic words on love’s divine power. The end of Kendrick’s verse speaks to me most profoundly (I bless one day that you attract somebody with your mind exact / a patient life, flaws, bless ‘em twice, and they’ll bless you back). It registers as something of an affirmation, that someone worthy will come, who shows me deeply honest love even as we’re both working to be who the other deserves. It’s work that comes with great responsibility, but when we love each other the right way we can set healing in motion and reach heavenly levels of connection we never thought possible. 



“Overjoyed” - Stevie Wonder
By Jordyn Alisa Williams

Stevie Wonder’s Overjoyed reinforces that the beauty of love is in its horror. Love requires taking a risk, making that first move, and being open to rejection, all of which are intimidating, to say the least. These feelings of uncertainty are tests for how far we will go to demonstrate our admiration for our loved ones. In Overjoyed, Stevie fantasizes about a charmed life spent with his lover. This fantasy, however, will forever live in his dreams as his love interest is not willing to take a chance on him. As lovers, we yearn for shared intimacy with that special someone, so what do we do when we can’t have them? I guess the only answer is to move on. But Stevie Wonder still begs the question, what could have been? 
You too might be/ Overjoyed, over loved, over me.



“Torn” - LeToya
By Geraldo Reid

The essence of romantic relationships exists as a means of having an important person in one’s life to which they can confide. It often begins as what is commonly known as the ‘honeymoon period’ which quickly dissipates into a form of easement, which is unacceptable for some. This creates issues and complications that neither party consciously foresaw. This period can be described as a pivotal stage of a relationship, as it could prove superficial or fatal. However, it could organize the future, creating a better understanding of what to do when a problem arises. Alluding to the former, this song by LeToya Luckett describes a relationship experience by one party that is confusing. “Torn between the two” is the story of her frame of mind. She is in a paradox of staying in the relationship but also wanting to leave. The idea of being in a relationship is to create long term memories. This comes with projecting positive thoughts, that don’t leave room for negative ideas to creep in. With negative thinking, by fixating on whatever it is, it gets worse, leading to inevitable heartbreak. The theme of Valentine’s Day is a reminder to make their life, and in turn your life, special. Ultimately, always attempt to make each other happy.



“All I Do” - Stevie Wonder
By Anwuli Adeola Onwaeze

“You made my soul a burning fire/ You’re getting to be my one desire/ You’re getting to be all that matters to me” Have you ever been so consumed with the feeling of love that you could only think of one person, not knowing if they feel the same way? This Stevie Wonder classic perfectly wraps that feeling in a 5-minute musical gift. Wonder easily has one of the best love song discographies ever, but this song magnifies every little thing that makes all of his other ballads special. Despite its release in 1980, the unfiltered passion is penned by a 16-year-old Stevie but recorded for his 1980 album Hotter Than July. The song is bursting at the seams with that adolescent excitement that comes out when you fall in love. This Valentine’s Day you may be basking in this feeling Wonder speaks of, or still waiting on someone who will experience that with you. Whatever it is, give this tune a listen and your spirit will definitely be uplifted. 


The E-board's Honorable Mentions

Worth My While - Bootsy Collins 
Cater 2 You - Beyoncé
Charlene - Anthony Hamilton 
Do 4 Love - Snoh Alegra
Superpower - Beyoncé
Happy - Ashanti 



Renegade's Valentine's Day Song Picks

#NotAgainSU: Replacing A Culture of Fear

by Jalen Nash

Fear is a powerful emotion. It compels people to take action, inspires them to move quickly towards a goal, or it can completely paralyze a movement.

In the past ten days, our campus community has slowly fallen into the grips of fear, starting from one incident in Day Hall, to a series of attacks featuring slurs, swastikas, malicious emails and other harmful racial epithets.

When the initial incident took place, many were surprised at the magnitude of the response. “Although the incident was unfortunate,” they said, “it is an isolated incident.” University leaders such as Basketball Coach Jim Boeheim and DPS Chief Bobby Maldonado, chose to ignore the divisive climate which breeds hate, and rather, claimed the problem could be fixed  through faster response times and greater transparency when these events happen. They told us not to worry, and asserted their commitment to keep students safe.

Since these initial promises were made, our campus has progressively gotten more dangerous. 

Students have received multiple bias reports each day-- reporting instances ranging from graffiti, to disturbing emails and verbal attacks. The tally sits at ten since November 7th. This university did not feel like home before, but now it feels like hell

Protesters of the #NotAgainSU movement have been camped out in the Barnes Center since Wednesday afternoon, fighting valiantly for change. They’ve organized a movement which has inspired students, faculty, and the outside world in a remarkable way. 

Handwritten signs decorate the walls of main campus buildings, while the impact of the movement grows by the minute through social media and student journalism. And while many moments in their struggle have been beautiful, these moments of deep joy are often halted by news of another attack.

This is serious. 

What began as a referendum against an unresponsive administration, has slowly become a true struggle for safety, justice, and our belonging to be on our campus. A struggle piqued by fear, complacency, and leadership that consistently fails to place equal value on all student lives. 

The past few years have seen the rebirth of fear as a mainstream tactic. What many see as a pushback to a previous era of social progressivism, today's politicians and business leaders often value profits and public perception over the health, security and experiences of people. This can be seen in the ways they discard, attack or silence people in the name of “progress.”

This culture starts at the top. With a US President who openly condones racism, sexism and xenophobia, instances of hate crimes have skyrocketed within his term. 

Based on data collected by the Anti-Defamation League, counties that have hosted a Trump campaign rally have seen hate crime rates more than double since his visits, compared to similar counties that did not host a rally. Condoned by leadership, most of these hate crimes go unreported and the perpetrators go unaccounted for. The perceived lack of consequences emboldens actors to do it again.

There are clear similarities between these national trends and the actions of the perpetrators of these campus crimes. Both try to use fear tactics as a way to limit the progress of change movements, both use their audacity as a tool to disguise their cowardice, and both are a product of structures which will rarely hold them accountable. 

Formerly the Dean of Washington University’s Law School, Kent Syverud leveraged his experience in advanced litigation to become Chancellor of Syracuse University in 2014. Transferring his legal knowledge into our institutions, Kent Syverud first used his legal knowledge to justify massive budget cuts, staff firings and the closing of important campus resources, like the Advocacy Center. 

Since then, he has repeatedly received the same grievances about his lack of transparency, his uber-industrial focus and his decisions to snub diverse educational opportunities in favor of financial interests. In his vision, backed by the Board of Trustees, to break fundraising records, renovate buildings and attract higher-paying students, he has repeatedly failed to prioritize student life, student safety and the overall health of our on-campus environment. 

This is reflected in a student life culture marked by its separation, intolerance, and veils of secrecy. 

Since taking office, Syverud has presided over numerous incidents: the GENERAL BODY protests, the Theta Tau videos, the attack on Ackerman, the professor at Madrid, and now, the spree of hate crimes that brought the campus to a standstill.

Addressing these issues is not a matter of increased surveillance, more police presence or more transparency. It is not even fully a matter of diversity training or curriculum adjustments.  

Rather, real change must be structural, and acknowledge the role leadership plays in promoting a culture. 

Policies cannot be effective outside of social norms. 

The culture of Syracuse University, much like the culture of the United States, is influenced by a leadership style which puts profits over people, values individual liberty over the common good, and discredits the experiences of marginalized voices. 

The events of the past ten days are NOT random or spontaneous. Rather, they are a consistent byproduct of an environment, cultivated by our leadership, which condones their actions. 

Radical and structural change may be the most reasonable path for us to receive protection and create a healthy campus environment.

These hate crimes will continue as long as the perpetrators believe their actions will go unpunished. Administrators have left the actions of hateful students unpunished for so long, that their credibility to retroactively implement punishment no longer exists.

This university cannot keep us safe because the perpetrators do not fear punishment. The students committing these crimes see it as a joke. They are amused and emboldened by an environment which doesn’t take crimes against people of color seriously. 

That said, the safest path forward is for students to demand new leadership. 

One that clearly defines the line between free speech and hate speech, one that values the student experience over the tuition they pay, and one that is able to keep its students safe. 

Because how can I learn when I am afraid to go to class?

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